Details

A cycle of seven cantatas, as a meditation on the body of Jesus Christ.

A cycle of seven cantata ‘Membra Jesu Nostri Patientis Sanctissima’ by German composer Dieterich Buxtehude in 1680, literally translates to ‘The most holy limbs of our Jesus in his suffering’.

Each cantata is a Passion meditation, contemplating the different parts of Christ’s body on the cross: his pierced feet, bent knees, bleeding hands, wounded side, revered breast, loving heart, and thorn-crowned face. The music is loving: pure, balanced and deeply expressive, demonstrating an extraordinary attention to unity of conception.

Pinchgut’s presentation of this astonishing work brings together a stellar chorus of soloists, including Alexandra Oomens and Lauren Lodge-Campbell, who both return from Europe after performances with some of the world’s eminent Baroque ensembles. Joining them will be a specially selected group of eight expert players of the Orchestra of the Antipodes, led by Erin Helyard.

This is sacred, meditative music of the highest order and beauty, presented with all the intimacy, emotion and power that inspired its creation over 300 years ago.

Please note, in order to provide the best possible concert experience and maximise resources, Pinchgut Opera has moved to one performance date in Melbourne.

COVID Safety

Melbourne Recital Centre is committed to the safety of our artists, staff and patrons. A range of public health, hygiene and physical distancing measures are currently in place. Click here to learn more.

Artists

Alexandra Oomens soprano
Lauren Lodge-Campbell soprano
Hannah Fraser mezzo
Louis Hurley tenor
Andrew O’Connor bass

Orchestra of the Antipodes

Erin Helyard conductor